Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Now, that said, one thing that should be noted is that the in-show experience of every show is contained to only those that attended, and (even with festivals) that's a mere fraction of Phish's fanbase. I did not start listening to Phish full-time until 2010-ish, and did not attend my first show until August 5, 2013. All of the experiences related to shows that happened before then are closed off to me, forever. And they're closed off to the people that did not attend in person, forever. But, hey, you know what's NOT closed off to the folks that didn't attend those shows? Listening to them on tape and divining an opinion of them based off of that! Roughly 40-50,000 people at Lemonwheel got the in-person experience, and that will never change. But you know who gets the on-tape experience? Everyone! And that, I think, has a great deal of merit - you can speak to an experience very few had, and that's valuable; I can speak to an experience anybody with a high-speed internet connection can have right this very second, and that's valuable, too. IMO, anyway.
What the elevator pitch actually is for this blog is "two wordy Phish lovers talk about all things Phish, up to and including shows we didn't attend". That, I'd like to think, holds at least some merit. But hey.